Arri ALEXA MINI
I always match the best tool for the job. The Arri ALEXA is the industry standard for national-level commercial and film work. Alongside it is the ALEXA Mini, a camera with all the same major features but incredibly versatile, usable for drone, gimbal, shoulder and studio work. Highly versatile and with an unrivaled picture quality, these cameras represent the pinnacle of production quality. The ALEXA Mini is my flagship camera, available to the most discerning clients for high-end productions.
Sony PMW-F55 Cine alta
My Sony PMW-F55 CineAlta is capable of shooting 4K at normal and 60 fps, and full-HD video at up to 240 frames per second. Featuring a Sony 4K sensor for gorgeous, super-sampled HD, 2K and 4K , the F55 CineAlta camera shoots spectacular images with its 8.9 megapixel Sony 4K image sensor. You get superb dynamic range, the widest color gamut, and pristine image quality, whether you shoot in HD, 2K or 4K.
A workhorse camera I've used for the past several years for commercial, documentary and reality TV filming, the C300 presents one of the best-looking full-HD images that Canon has ever produced. The EF-mount Canon EOS C300 Cinema camera with Dual Pixel CMOS AF features a Super 35mm sized CMOS sensor and broadcast quality 50 Mb/s 4:2:2 MPEG-2 codec.
Mobile Studio / 1 Ton
My 1-ton grip van is capable of carrying my entire lineup to your location for all production needs. The mobile studio comes with a full lighting and grip package, including Kino Selects, LED, and tungsten kits (HMI available upon request), c-stands, flags and scrims, support package including tripods, Dana Dolly, and camera packages capable of delivering multi-cam production on-location as needed. The truck is capable of operating across the continental US, wherever your production may take place.
|Sony FS7 Kit||from $400/day||We also offer Sony's newest professional camcorder and have used it for numerous TV shoots. Capable of 4K and high frame rate HD, it is a great addition for smaller budgets.|
|Sony A7Rii Kit||from $150/day||A great camera to use with F55 shoots for aerials, gimbals, close-quarters or unique angle shots. I also have the Ikelite underwater housing for this camera and often use it on underwater shoots. It is also an excellent behind-the-scenes and production stills camera.|
|Wireless Video||$250 per day||Wireless video systems are the professional standard these days, and the brand-new Trigyn System allows 600 ft of wireless video transmission.|
|Flanders Scientific||$150 per day||My Flanders Scientific 17-inch monitor is the perfect size for a field production monitor. It is also the most color-accurate monitor in the industry. You can trust that the images you see on the monitor are exactly what they look like - no guess-work required.|
|Lighting Kits||from $300/day||Lighting packages available include feature Kino Selects, Quasar Science 4-ft 4-bank, Hive Lighting Wasp 100-C, Westcott Spiderlite, LED 1x1 panel kits, and tungsten lights with grip packages.|
|Dana Dolly||$150 per day||A vital piece of equipment to add motion to your shoots. My Dana Dolly includes 8-foot rails for a long range of motion in your shots.|